For What Is Chatteris

Half Man Half Biscuit

  • Am
  • C
  • D
  • D/F#
  • E
  • Em
  • G
Continua depois do anúncio
Tom:
INTRO RIFF A
G D Daug E|--------3---3-3------------------------------------------------| B|--------3---3-3------3-----3--3-3-3----------------------------| G|--------0---0-0------2-----3--3-3-3----------------------------| D|--------0------------0-----0--0-0-0----------------------------| A|---------------------------------------------------------------| E|----3----------------------------------------------------------|
Rpt x3 VERSE 1
G One way system, smooth and commendable
D Go by bus, they're highly dependable
C The swings in the park for the kids have won awards
Am D The clean streets, acknowledged in the Lords
G But what's a park if you can't see a linnet
Em A timetable if your journey's infinite
Am My bag's packed and I'm leaving in a minute
D For what is Chatteris without you in it? Riff A x2 VERSE 2
G Car crime's low, the gun crime's lower
D The town hall band's CD, it's a grower
C You never hear of folk getting knocked on the bonce
Am D Although there was a drive by shouting once
G But there's a brass band everywhere
Em And I don't drive, so I don't care
Am And as a nightingale sang in Berkeley Square
D What's Chatteris if you're not there? Em - C - G - D - Daug Em - C - G - D - Daug Riff A x2 EDD LE 4
G Like a game-bird reserve short on pheasants
Em Weavers' cottages devoid of tenants
Am A market town that lacks quintessence
D That's Chatteris without your presence VERSE 3
G Three good butchers, two fine chandlers
D An indoor pool and a first class cake shop
C OFSTED plaudits, envy of the fens
Am D Prick barriers at both ends
G But what's Chatteris if you're not there?
Em What's Chatteris if you're not there?
Am What's Chatteris if you're not there?
D What's Chatteris if you're not there?
G What's Chatteris if you're not there?
E What's Chatteris if you're not there?
Am D G - D - G - D - G - D - G - D/F# - G I may as well be in Ely or St. Ives
Informações da música

Composição: Neil Howard Crossley e Nigel Blackwell

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