Intro:
E|----------14-14-14-12------14-14-14-12---|
B|---------------------15-12------------15-|
G|-----------------------------------------|
D|-----------------------------------------|
A|-----------------------------------------|
e|--------------------------------|-------|--|

Phrase 1
E|---------14-14-14-12------14-14-14-12----|
B|-15~~14~~-----------15-12-------------15-|
G|-----------------------------------------|
D|-----------------------------------------|
A|-----------------------------------------|
e|--------------------------------|-------|--|

Phrase 2
E|---12----14-14-14-12-------14-14-14-12---|
B|-15~-14~-------------15-12------------15-|
G|-----------------------------------------|
D|-----------------------------------------|
A|-----------------------------------------|
e|--------------------------------|-------|--|

When Adam plays live he seems to start playing an octave down around the 1:28 mark – 
doesn’t happen in the recording, but you can slide down to 7th fret on the B 
string and carry it on there if you want to vary it up a little: 

Phrase 3
E|---12----14-14-14-12-------------------|
B|-15~-14~-------------15-12///7-7-7-5---|
G|-------------------------------------7-|
D|---------------------------------------|
A|---------------------------------------|
e|--------------------------------|-------||

Phrase 4
E|------------------------------|
B|---5----7-7-7-5-----7-7-7-5---|
G|-7~-6~----------7-4---------7-|
D|------------------------------|
A|------------------------------|
E|------------------------------|

Meanwhile, Mikey’s there in the background tremoloing away like a madman 
somewhere around the 15th/14th fret on the A string. He’s pretty hard to hear,
so if you fancy playing that part then just screw around with it until you 
find something you’re happy with.

Mikey’s bit
E|----------------|
B|----------------|
G|----------------|
D|-----------tr14-|
A|-tr15-tr14------|
E|----------------|

(y)

This continues until about 2:10, at which point both Adam and Mikey trail off to
make room for the bass. And Adam’s glorious accent. 

“Retrace, all my steps…”
E|--------------------------|
B|--------------------------|
G|------ta| ke a break,-------
D|----------fr| iend----------
A|--------------------------|
E|--------------------------|

Post-break, Adam seems to thrash away at Bm, A, and then a descending series of 
power chords following the guitar phrase until the song winds down. Again, it’s
a little hard to hear so this is my best approximation:

E|-7-7-7-7-7-7--5-5-5-5-5-5--------------------|
B|-7-7-7-7-7-7--5-5-5-5-5-5--------------------|
G|-7-7-7-7-7-7--6-6-6-6-6-6--11-11-11-11-9-7-4-|
D|-9-9-9-9-9-9--7-7-7-7-7-7--11-11-11-11-9-7-4-|
A|-9-9-9-9-9-9--7-7-7-7-7-7--9--9--9--9--7-5-2-|
E|-7-7-7-7-7-7--5-5-5-5-5-5--------------------|

From live videos I’ve seen he seems to play the Bm, A and then play F#m followed
by G, with the chord base on the A string:

e|-9--10-|
B|-10-12-
G|-11-12-
D|-11-12-
A|-9--10-|
E|-------|

Have a play around and see what sounds better, idk

Post-break it sounds like Mikey plays some pitchbends somewhere, but I haven’t 
worked out where (most likely following the main guitar phrase). After 16 bars 
he starts tremoloing:

Mikey’s second bit
e|--------------------------------|-------|
B|-12tr///17tr///10tr///14tr/15tr///17tr-
G|---------------------------------------|
D|---------------------------------------|
A|---------------------------------------|
e|--------------------------------|-------||

This continues until the end of the breakdown(?), where Adam starts playing the 
main phrase again and Mikey plays single notes:

Mikey’s outro:
e|--------------------------------|
B|-12~//17~//10~//14~//15~~//17~~-
G|--------------------------------|
D|--------------------------------|
A|--------------------------------|
E|--------------------------------||